Ekaterina Degot

Art historian, Art writer,

Born in 1958 in Moscow.

Degot’s work focuses on aesthetic and sociopolitical issues in Russia and Eastern Europe, predominantly in the post-Soviet era. She has worked as a senior curator at the State Tretyakov Gallery, as art columnist for the newspaper Kommersant, and from 2008 until 2012 she was senior editor of www.openspace.ru/art, an independent online magazine of art news, art criticism and cultural analysis. She regularly contributes to Artforum, Frieze and e-flux magazine. 

In 2001, she curated the Russian pavilion at the Venice Biennial. Shows she has co-curated include Body Memory: Underwear of the Soviet Era (with Julia Demidenko; City History Museum, St Petersburg, 2000, City Museum, Helsinki, Volkskundemuseum, Vienna, a.o.); Berlin-Moskau / Moskau-Berlin 1950-2000 (with Juergen Harten a.o., Martin-Gropius-Bau, Berlin, and the History Museum, Moscow, 2003-04), and European Atelier (Central House of Artists, 2009), Soviet Idealism (Musée de l’art wallon, Liège, 2005) and If. Ukrainian Art in Transition (PERMM art museum, Perm, 2010).  

Together with Cosmin Costinas and David Riff, she curated the First Ural Industrial Biennial in Yekaterinburg under the title Shockworkers of the Mobile Image (2010). In 2011 she presented (with Joanna Mytkovska and David Riff) Auditorium Moscow – a self-educational initiative, a place for meeting and discussion, and an international exhibition. In 2012, she curated Art After the End of the World, the discussion platform of the First Kiev Biennial of Contemporary Art Arsenale, and Time/Food in Stella Art Foundation in Moscow, with Anton Vidokle and Julieta Aranda. Together with David Riff she is curating the first Bergen Assembly under the title Monday begins on Saturday in 2013.  

Her books include: Terroristic Naturalism (1998), Russian 20th-Century Art (2000) and Moscow Conceptualism (with Vadim Zakharov, 2005). She recently co-edited Post-Post-Soviet?: Art, Politics and Society in Russia at the Turn of the Decade (with Ilya Budraitskis and Marta Dziewanska, 2013).

She has taught at the European University, St. Petersburg, was a guest professor at various American and European universities, and is currently professor at Moscow’s Alexander Rodchenko photography and new media school.


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